A recent paper, Dynamics of carving runs in alpine skiing. The centrifugal pendulum by S.S. Komissarov, provided me with insights as to the differences between elite and lesser skiers.
Komissarov clarifies that the context of proficient skiers being well-balanced simply describes the observation that the skiers do not appear to be in danger of falling. The signature of good skiers is that they move effortlessly from turn to turn in a smooth, continuous rhythmic manner much like a metronome or inverted pendulum.
A key point is Komissarov’s comment that elite skiers somehow manage to ski faster than the theory of ideal carving predicts. He also states that the fluidity of the pendulum action of the elite skier does not actually require a forceful participation from the skier and that the skier has to make sure that they do not inhibit this natural process but just “get on board and enjoy the ride!”.
The reference to fluid skiing being a natural process requiring no forceful (conscious) participation from the skier in terms of the associated neurobiomechanics responsible for the pendulum action is one reason why I am shifting the focus of my blog away from ski technique (which is consciously mediated process) to the elements of fluid skiing and especially factors that interfere with the natural processes that enable humans to ski as easily as they walk so that analyses can focus on the why not the what.